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Review of Stephen King’s “It”

It’s too damn long. Part of the problem is seeing the movie before reading the book. I knew there was going to be a spider, so I wanted to get to that part. That probably diminished some of my enjoyment of the story. Not entirely, however. I like King’s horror and gruesomeness, but I didn’t like many of his similes and metaphors in this book. They made me cringe throughout.

You can tell Stephen King grew up in the ’60s. “Far out, man”, and whatnot. Didn’t really have a problem with it, per se. Just chuckled. It was fine. It always stood out to me like when I witnessed it.

There’s a lot of themes in the book. Friendship. The romantic situation was very interesting. Not clear-cut at all. Everyone thinks Bev is pretty but Ritchie never really makes any moves on her and Ben loves her but she’s more into Bill but Bill is more consumed by getting revenge for Georgie even though he likes Bev as well. At first, I didn’t like it. But, thinking it over, childhood (hell, even adulthood) is confusing like that, isn’t it? The complicated love triangle was a nice touch. Very funny to contrast that with all of the gruesomeness throughout.

Interesting how they all leave each other after the horror of their childhood and Bill ends up with a woman that looks like Bev. Then he cheats on her with Bev? Ok. Then, at the end, he ends back up with her, and they live happily ever after? Is he ever gonna tell Audra or not? Ok.

Why is Mike the one that stayed in Derry? Why didn’t “It” ever get him? What’s the significance of the fact that Mike stayed in Derry? Does it have to do with the fact that he’s black? Serious question. He’s used to seeing horror so he can stay? It bothered me that I couldn’t figure that out.

The tragedy in the book is terrific. I’m thinking of Bev’s father and Henry’s father in particular. So tragic. Children being raised horribly. I really enjoyed those parts of the book. Particularly Bev’s. Incredibly powerful.

I had a problem with the way King talked about their friendship, to paraphrase, “coming together”, “they felt the final cog click into place”. Please. You’re being way too obvious. Stop beating me over the head with it. Why did they need those “cogs” if one of them killed himself before the final confrontation? Was Stan really necessary? And what did I miss about the birds? What relevance did the birds have besides making an appearance? Stan’s character existed simply for one of them to commit suicide. I guess that’s fine. But that has to be the stated reason for his existence. Stop telling me that all seven of them are needed when they clearly aren’t. I did not feel as if he existed for any other reason than to create drama about their “unit” being weakened, and to really drive home the point that what they witnessed as children was so horrible that one of them killed himself because of it. I think I enjoyed the way I just explained it more than the way King explained it in the book. It was just annoying, because Stan just tagged along (he’s an introvert, I get it). But Stan really annoyed me. I guess his suicide was the best part.

I liked Ritchie as a character. Mike as a character. Ben, and Bev. Eddie was annoying. “He sucks on his inhaler. He sucks on his inhaler. He sucks on his inhaler.” I FUCKING GET IT. GIVE SOMEONE ELSE MORE PAGE TIME. Swap Stan and Eddie, or something. Sure, it’s great when you learn the inhaler was a placebo. But for fuck’s sake, I got tired of reading about Eddie’s goddamned asthma. Bill’s character was interesting. He grew on me. At first, I thought he was stale. But he grew on me. He kind of made me wonder why some of the other kids were really necessary. I know groups have “leaders”, but a lot of time was given to Bill. And I couldn’t figure him out as a character. Obviously, he was motivated by justice. But how much of his character would’ve been “serious” if Georgie hadn’t died? How much of it was his natural personality and how much of it was revenge for Georgie? It bothered me that I couldn’t figure that out. Not really a problem with King, I guess. Just something personal.

I get that Henry was the antagonist that needed the most page time. It makes sense. He’s a loudmouth. I didn’t have any problem with Henry Bowers. I liked his storylines. But man, was I disappointed when Patrick Hottstetter’s story was over as quickly as it was. That was one of my favorite parts of the whole book. Patrick’s killing animals and has them in a refrigerator? Holy fuck! That’s great! Slugs that jab into your eyes? Awesome! I’m not saying that Patrick should’ve been the main villain over “It”, nor did I have a problem with how much time Henry was given. But I was disappointed that his beautiful depravity was over with so soon. Henry being the leader of this fucked up kid, who was probably entirely capable of killing Henry. What an interesting character, Patrick Hottstetter was. Shame I didn’t get to see more of him. I’m glad he died, though. In the sewers. Apropos.

And everyone ends up fucking Bev in the sewer? Really? I mean, ALL of them? Stan, Mike, Ritchie, everyone? That part was hilarious. I loved it. I guess, looking back, it’s really tragic. What was Bev thinking? Did she become a whore because of an abusive father? Or was there truly something deeper that she did, in fact, share with all of them? I’m leaning more towards whore because of her father, personally. Women don’t just go around fucking all of their friends. That’s the only way she really knew how to show her love, because that’s how her father showed her love. Sweet, because she loves them. Heartbreaking, because she’s fucking them because of her own sexual abuse (I’m sure), and hilarious and disgusting because they are all down in a sewer when they fuck. King can’t be preaching about ANYTHING “in real life”, political, because of that. Well, it depends. King virtue-signalling about Trump is pathetic. But I’m not going to get into that here.

But the main themes of the book, about childhood and growing up, were terrific. The final couple of pages made me tear up. I loved it. Fascinating how the kids fought “It” by accepting that “It” was an illusion. Kids conquering their fear of the dark. That was very nice. But why did any kid ever die then? How can kids die from giving in to an “illusion”? At what point does the illusion become real? I really like all of the parts were King drives home that horrible things in one’s childhood fucks one up for life. All of them repressing what happened to them in the sewer as kids. Stan killing himself, Henry and Bev that I already mentioned, etc. What happened with the Hottstetter kid that made him how he was? Who knows. Enjoyable. The town ignoring the problems of the kids? Also nice. But I’m confused: why did only some kids die, and not all of the kids? Why was anyone allowed to grow up to become an adult? Why did “It” choose who it chose? That also bothered me. Maybe I’m a bad reader and all of this just flew over my head.

And what’s the deal with Pennywise? There’s something old. It manifests itself to what children fear. It’s an illusion. What is its “final” form? I guess I missed that, too. I wish that Pennywise wasn’t just some prop or tool, the “bait” form of It, I guess. I’m fine with a clown turning into a spider. But I was disappointed that the clown just goes around talking in people’s heads. I guess he doesn’t have to kill anyone. But it’s kind of a let down to me when Pennywise is around for the whole story but he’s (or that form of “It”) is kind of meaningless in the end.

And why Derry? Why nowhere else? What was it about Derry which made “It” reside in the sewers for so long? No big city at all? I thought “It” was going to be a metaphor for evil as a whole. But it only resides in Derry? News crews from major cities come to Derry afterwards? Why did “It” choose Derry? I get it. That’s the “mystery”, I guess. But it annoys me. I liked the parts that talked about Derry. The small town life, the people around. It was funny to read about people going down to fix the sewers when they overflowed. Interesting. But why does “It” live in a sewer in a small town? Sewer, fine. But why Derry? “That’s the whole point, that’s the mystery”, blah blah blah. It annoys me, personally. I like shit to make sense. I get that entertainment doesn’t have to make sense, but in times like these, it is going to bother me, and I am going to say so, because that is how I am. Lol (And I’m not just saying that it has to be in “bigger” towns and not “smaller” towns, but why only one small town? Why no other “small town” but Derry, Maine?)

And I’m fucking glad I’m probably never going to see the word “Kenduskeag” ever-a-fucking-gain.

I’d definitely recommend “It”. But, in my opinion, it is overrated. People love it for the gruesomeness. Which I agree with. But I have a lot of problems with this story. There’s way too many problems and not enough good gruesomeness in this one for my taste.

And I think I would enjoy it more if it was cut in about half.

Review of 2017’s “It”.

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The Apparent Conflict Between “Practicality” and “Art”

I’m not sure if my best friend, Devin Stevens, wishes me to make this public or not. But I think I will, anyway. My best friend, Devin Stevens, has a habit of walking back and forth, talking to himself. It is interesting, and some might even say peculiar. I really only paid attention to it when trying to talk to him, only to be ignored. A boy lost in his own head. Consumed by his own thoughts. The outside world, be damned. How it has always been, how it will always be. No hard feelings, of course. But I did find it quite interesting.

And now, here I sit, these several years later. A post opened, writing down words. Struggling to find exactly how to say what I wish to say, and how I want to say it. So what do I do? Why, I pace back and forth, and start talking to myself, of course. Why? Well, as I paced back and forth, talking to myself, I realized something. What am I doing when I talk to myself, walking back and forth? Well, I’m thinking, and I’m communicating. I’m thinking, organizing, and communicating it back to myself. And what is writing? Writing is thinking and communicating. So, in other words, they are the same. Thoughts come out of nowhere, and then, the will acts upon them. The thoughts come, effort is put into them as far as organizing and developing are concerned, and the end goal is some conclusion. Some conclusion to the sequence of thoughts that have occurred. At that point, one can decide whether or not to communicate those ideas: in what form, to whom, and how. Then, the communicatee goes through the same process, and back and forth it goes.

So what is the point of communication? The point is whatever the communicators want it to be. In other words, why does anyone ever talk to anyone at all? Because they want to; have decided to, for whatever reason. And these reasons are varied. So why do I communicate? For various reasons. The main one being that I want to. And why do I want to? I do not know. I think thoughts, I like them, and I want other people to be aware of them. “Do you like them, too?” I suppose that’s the main point. “Do you like my thoughts, too? Do you enjoy them as much as I do? Because I’ve really enjoyed them. They’ve made me happy. Do they make you happy?”

I realize that this is humorous to say, but, of course, I am not the only person who thinks, and I am not the only person who communicates. Everyone does this. When people communicate with me, I listen, and think. And then, I communicate back. And there have been very few people who I have communicated with who enjoy writing as much as I do. The main one is my best friend. And I don’t think our love for writing and our friendship status are separable.

Most of the people I have communicated with have skills that I don’t have. They tell me that I should learn those skills, as they have, because it would be helpful. My natural instinct is just to pay someone else to do it. It’s easier. I do something else for money, and give you the money to fix my problem that I don’t want to learn how to fix. It’s understandable how blasphemous it is to someone who does “fix their own problems” (arguably, I am fixing mine by paying someone else to fix it for me). But I don’t think those people love writing as much as I do. I never hear them talk about stories that they wish to write. Or treatises. It never seems to come up. Not once. They might mention a book that they’ve read, that someone else has written. But they never say “Hey, I want to write a book.” I realize that people don’t live in a fantasy-land where they can do whatever they want when there is money that has to be made, things that must be fixed, food that must be obtained to be eaten, etc. But starving artists have always, and will always, balance between making the money that they need to make and doing what their heart really wants to do. And that is a very difficult struggle. Artists often choose their art over more money. Non-artists don’t really have to make that decision: they just pick the money, no questions asked. It’s a matter of personal preference.

Some people seem to have accepted that “it doesn’t matter” what their heart really wants. But how many of them are happy? And yet, they’d respond that their happiness doesn’t matter. I reject that philosophy from many fronts. I have a lot to say about it. I’ve written about it some, and I’m sure I’ll have more to say about it in the future. But I reject the way that basic truths are applied by “the public”. I disagree with the way “most people” seem to apply reality. I can’t really get into it all here. I think that it will be a “life’s work” that I work toward; explaining my philosophies.

So how do I talk to anyone when they do not desire to write much of anything (for various reasons), when I do desire to write fictional stories or “treatises”? That’s the hard part. Talk gets small, even if important. It never comes to what I love. (Why “should” it? Well, why should I listen to anyone talk about anything at all? Why should I listen to someone, even a friend or family member, talk about their children? Or their health? Or the health of someone else that they care about? Well, it is simple. They have decided to tell me these things because it matters to them. And I listen, because I am either their friend or family member, and that’s what friends and family members DO. So why should the conversation ever come to what I love: writing? Well, why should any conversation ever come to anything that ANYONE loves?)

I suppose it rarely gets to what they love, either. Other things take precedent over dreams. One has to be able to eat, after all. And there ain’t gonna be any food if there’s none grown or raisedAnd there ain’t gonna be any food if there’s none grown or raised. But my will, my decision, is to write. That’s what matters to me on this planet. I may not know how to fix my own car, or my own plumbing. But who is going to write if I don’t? Mechanics and plumbers won’t be writing. If everyone was a mechanic or a plumber, there’d be no books. I want to create books for mechanics and plumbers and everyone else to read. That is important to me. I’m more than happy to pay someone else to fix my problems if that means I don’t have to spend the time and energy learning how to do them when I could be reading or writing instead (or Hell, even listening to music, or playing video games, or whatever else that I want to do). It’s worth it to me to pay that price.

But it’s honestly my fault that conversations that I am in never include my love for writing. Why? It is very simple. Because the very skill that I’m lacking is the very thing that I love to do. In other words, what I love to do is to communicate. But I’m not good enough at it yet to actually do it. So I can’t accurately communicate to others that what I love to do is to communicate. I struggle constantly with that. Of course, questions are begged: “What kind of communication?”, etc. And there’s a million different pieces of advice that I will not take. I will do communication in my own way; in a way which brings me happiness. And I can’t accurately explain why it is that I’m going to do that at the moment, and thus, the frustration continues. It never really truly ends.

Writing is very hard. There is no way around it. It’s hard and it will be hard until you finish it. And you can say “Thank God” when it is done. But getting anything done is just hard, and there’s no way around it. If you want it done, it’s going to be hard. And if you don’t do it, it won’t get done. So it is either “hard” or nothing at all. As is every area of life. And that’s why being alive is such a son-of-a-bitch situation to BE in.

Everything looks easy when someone else is doing it. But doing something for yourself will always show you how hard it really is to do. I’ve always enjoyed learning that for myself, because once I learn how hard something is to do, I don’t sit around, envious of others, saying “I could do that. Life isn’t fair.” I’ve had enough of that for one lifetime, and I’m done surrounding myself with people that think that way. “It’s not fair that person has muscles and I’m fat. Welp, let’s start eating right and exercising. Hey, I exercised for a week. That’s pretty good. Where are my results? What? You’re telling me I have to do this CONSTANTLY? And I’ve got to drastically alter my diet? Uhh…so my choices are to either drastically change my lifestyle and get the muscles, or keep my lifestyle and either stay envious that I don’t have muscles or just say ‘Fuck the muscles’? I think it’s time to move on.” I personally could not handle anymore envy than I had in my late teens. It was unbearable. Muscles and money, muscles and money. My envy of those with more money than me reached a breaking point, and that’s when I decided to learn what the fuck was going on. To me, my choices were to either “Rip everybody off like everybody else is doing who has a lot of money”, or be “A good person who will inevitably be poor”. I thought those were my only two options. And at that point, I broke. My life changed forever from that day. That was as low as I had been in a while, but things changed for me that day. I know it was a religious experience. Everything has been completely different since then. And I’ve never looked back.

I’ve made some philosophical life choices over the years. At one point, I chose to be nihilistic because I thought it was “cool”. The completely idiotic “split” between religion and science made me choose science because science made sense, and if religion said science was bullshit, then I knew religion was bullshit. But thinking that science had every answer known to man made me angry and depressed when it, inevitably, was given questions that it simply couldn’t answer. Something was missing. “Science” was not enough of a framework to me. Thinking of how to “scientifically” explain light waves every time you turn on a light bulb isn’t healthy. With one caveat. It isn’t healthy if you DON’T LIKE IT. That is what I finally realized, with some help from my best friend, Devin Stevens. Devin introduced me to some religious ideas that I had never considered before. And I pondered them, and pondered them. And the more he told me, the more things made sense. And my life has completely changed, for the better, because of him. Without a single doubt. My perspective on life has completely changed thanks to him.

My parents, of course, have also influenced me. My father always told me to get an education, so that I could have a better job than HE had. He told me this and told me this and told me this. “Don’t do what I did. Go to school.” And my mother always gave me the confidence that I could make my dreams a reality. The “unstoppable force” (very evidently my mother) and the “immovable object” (very evidently my father) made ME. I couldn’t imagine being anyone else. Their advice produced a lot of anxiety within me growing up. I didn’t know how I was going to “do better than them”. I wanted to, because they advised it, and I didn’t want to hate my job every day, as they did. I was desperate to avoid that lifestyle. But I had no idea what I was going to do. HOW I was going to do it. I looked to the “rich and famous“: what have they done? What do they do? They play basketball? They act? Let me try those. And it was a fantastic decision to try. Because of what I mentioned earlier. My envy quickly evaporated. And I needed to learn something that I could actually do.

I learned to read at a young age, and I read a lot to my parents. I’ve written some about my history with reading here. And, somehow, I’ve got a “knack” for writing as well. Probably got it from my parents. It got developed in school as well. I’m convinced that good readers can write. Hell, I can write, and I’m not even a good reader. But writers are thinkers. But I don’t think that is enough. Writers aren’t just thinkers: they are UNIQUE thinkers. Common ideas don’t need to be written, because they don’t need to be read. If everyone says the same thing all the time throughout their day in communication with one another, why would any of them ever take the time to write something? Or read something? It’d always be the same. So writers are unique. There has to be something unique about writers. Even if multiple writers write very similar things, there’s just something different about us writers. We’re just different. Unique. Strange. “A little off”. And that’s what makes us so great. That’s what makes us worth reading. We’ll come to you when we need our cars fixed, but maybe we can entertain you or teach you something while you’re shitting. When people do what they desire, and take action, things just seem to have a way of working out symbiotically. Years of studying economics has taught me that profound fact.

So I appreciate it when a friend or family member tries to give me advice. I may or may not know exactly what they know, but, at the very least, I’m sure their hearts are in the right place. But I know what my heart says. I know what I need to do. I don’t know exactly how it will play out, but no one does. No one who gives advice knows how everything will play out. So the question becomes: what should I do? That, I will figure out myself. And, right now, it is telling me to write. It is telling me that I need to learn a lot more when it comes to writing. It is telling me that I need a lot more confidence when it comes to writing. That I need to read more. That I need to be more assertive. That I need to write more often. That I need to dedicate more time and patience to writing. And it is telling me that I need to be by myself, walking around, back and forth, thinking of things. Because that will, inevitably, help me with my writing. And that is what I want.

I think you’re on to something, Devin. I don’t know if you realize it or not. But I truly believe you are on the right track. And I believe I’m going to follow in your footsteps. I can’t thank you enough. Good luck to you. And to all of my fellow artists. And Hell: even to the non-artists, too. Good luck to EVERYBODY.

The Process of Thinking.

Apparent.

A Treatise on Stubbornness.

Intellect Equals Cockiness?

Why Express?

Why Do I Write How I Write?

Getting Sucked Into the World of Writing.

Conserv.

Personality Development.

Possibly my new favorite quote.

“A cynic is a man who, when he smells flowers, looks around for a coffin.” – H.L. Mencken

Writing blues.

9/21/17. Midnight. The house is quiet, but the mind is dishearteningly loud. This is the perfect time to read. Books are calling your name. You start to read and…it bores you. Your mind drifts to your own work. All of those poorly written stories. This is the perfect time to write. But it is all a nightmare. You have no readers. You have so much more to read. So much you want to write. But you feel like a failure. You can’t get the voices out of your head. Peace and quiet helps. But you haven’t had enough of it yet. Hopefully, soon.

Peace and quiet. A peaceful and quiet mind. No words, except for your own. Except when you allow someone else to speak to you through a book. But the satisfaction is fleeting. On to something else. Something else is always calling your name. You call yourself often. But you soon realize that you have nothing to say.

All of this has to go somewhere. It doesn’t matter where, as long as it’s somewhere. As long as it is something. But the struggles add up. You soon find that you are in the same boat as other writers. But reading them quickly becomes a chore. There’s so much writing to be done, and reading is such a chore.

Everything starts adding up, and time passes. You start to notice rust on your pieces of junk. Projects quickly swamp you. Time keeps ticking away. The future only shows the amount of work left to be done. And the voices are around every corner. Instead of Midas, you feel like death. You’ve accumulated fools’ gold. You’ve worked hard to keep garbage from getting in, but garbage is still coming out. And time keeps ticking away. Another day with a dream. Another day of the same.

All that is good is fleeting. The sandwich is good. But it is gone. The highs of the day disappear. A tolerance is built up. The mirror starts to get ugly. Everything gets harder. Everything starts to die. Everything continues to add up. Concentration becomes impossible. Failures keep creeping through the walls and the floors. The devil on your shoulder becomes your only welcome companion. The sands of time tick faster as you move slower. Frantic becomes a way of life. The projects continue to add up: which means the failures. Just like everyone else. We’re all failures. It gets harder, and we ignore it with our beer or our football or our family. Most of us run from that monster under the bed as long as we can. Very few confront it, and the rest of us pay a premium for it. But it is there, and it is waiting for us.

The dirt long awaits our arrivals. All of this is for nought at that time. What will we think of all of this when we are no longer here? When I am in Heaven, what will I think about my time here on Earth? Will I think about it at all? If I don’t, then isn’t all of this just a waste? Why not Heaven now? Sooner rather than later? Why work for today when it is all gone tomorrow? Because tomorrow isn’t that certain. Because tomorrow is longer away. Because tomorrow is eternal, and today is fleeting. Today is a sandwich. A book. Misery, and distractions. Today is failure. Empathy. Work. Struggle. Blood.

Today is Hell……

And tomorrow is Hell. Until it isn’t. Unless it is.

We keep trying to run from that monster under our beds. More food, more sex. More raising of children. More money. More, more more. Every day, more. Satisfaction is fleeting. Disappointment is around the corner, waiting to be drank away.

Tomorrow is just another day of much of the same…

Coffins are made and lied in. It’s all a dress rehearsal. But in the end, the play doesn’t matter. Regardless, we’re stuck with the stage. And all of the problems that come with it.

Review of 2017’s “It”

Saw the movie “It” yesterday. I knew it wasn’t going to be as good as the first miniseries, so I wouldn’t say that I was disappointed. It was a CGI shitfest. Hollywood keeps churning them out because people keep buying the tickets. I guess most people enjoy the ugly patchwork of CGI “action” (or, at the very least, are willing enough to put up with it to buy a ticket for a story that they want to see). But the way CGI is used today produces within me a mental fatigue.

CGI can be a good compliment, but it was heavily overdone. I’ve heard this a lot from people who are more avid movie watchers than I. I’ve heard, for several years, the complaint that “There’s too much CGI in movies nowadays.” I understand their complaints. If you can’t make it look right practically, then use CGI. But at least make an effort. Yeah, I know it’s cheaper to use CGI. And that’s the problem. It’s cheaper and easier, so we get shittier products (as far as I’m concerned). Once again, I don’t watch a lot of movies. But I’m disappointed that CGI has become a crutch that is broken itself. One reason that I don’t watch a lot of movies is I find the CGI in the movies that I do watch too mentally fatiguing. My suspension of disbelief disappears so often when I see obvious CGI mixed in with “real life”. It can be done right, such as with creating aliens. (Whatever CGI in “The Dark Knight” is perfect). But so much CGI in movies that I’ve seen is just ugly. I’d have to give some examples of what I’m talking about at another time.

The “action” sequences in “It” involving CGI were very bad. Maybe it was just bad CGI. Maybe it could’ve been replaced with CGI that was actually GOOD. But I hated it. I’ve become numb to CGI, and I don’t enjoy movies that heavily rely on it. For the most part.

I was also disappointed with Pennywise. His look was fine. It’s hard not to compare him to Tim Curry’s Pennywise. Nothing can top that masterful performance. But my main problem with the clown was how he was used. There were way too many shitty jumpscares, in my opinion. He just rushes at the camera, from side-to-side. Such shit. Jumpscares are like CGI: I’m not completely against them, but don’t make the whole movie jumpscares. The original “It” was so creepy. It was very slow. There was a fantastic build-up. And Tim Curry could scare the shit out of you when he snapped: talking normally, and then the last word of a sentence, he sharply YELLS. Amazing. This movie did not have that creepy mood to it to me. It was a little too over-the-top. Too obvious. Georgie’s “You’ll float too, you’ll float too, YOU’LL FLOAT TOO!” pained me to watch. Some people in the audience seemed to enjoy it, but I hated it. It wasn’t creepy. It was just annoying. Like a shitty horror video game. That’s what it felt like: that they tried too hard, and made it too obvious. Not enough suspense to warrant the excessive loud noises and jumps at the camera. They basically substituted Pennywise’s personality for jumpscares. That really hurts. The personality Pennywise did have wasn’t strong enough. I didn’t feel enough of why we should be scared of him. Obvious CGI isn’t a reason.

I did enjoy some of the non-Pennywise CGI, however. The zombie or mummy, whatever it was, without a nose was nice and creepy. The painting that came to life was very creepy (it should’ve had more screen time somehow).

I didn’t like the teeth of Pennywise, for some reason. Yeah, there were rows and rows of sharp teeth, like there should’ve been. But I didn’t like the look of it. That’s the time you should use a jumpscare: when he BITES. But they instead decided to keep everything well-lit, and then, his mouthful of teeth come out so you can see them all. It wasn’t scary enough. It was more like “Oh, look at those teeth.”

One of the very first scenes, Georgie running into that caution barricade, completely took me out of the mood (when I saw that in the trailer, I was hoping to God that it was only in the trailer). It was nice and eerie up to that point. And that one moment of slapstick took me out of the mood. “Is it going to be a slapstick comedy? Or creepy?” I was very disappointed with that decision. It occurred too early in the movie. They didn’t take enough time to develop the mood (the audience’s expectation, considering how popular the story is, isn’t enough of a “mood” setter). The mood of “It” shouldn’t be slapstick. It should be fucking CREEPY.

I thought most of the characters were well done. Bill as a kid is always a hard character to do. It’s hard for a kid to stutter right. I wasn’t a fan of Bill in the original, and I wasn’t a fan of him, here. Mike’s character was great. Bev’s was fantastic. Ben’s was very good. Stan was forgettable. And Eddie and Richie were both very good. Aside from that initial stupid barricade moment, Richie and Eddie were the “funny”. Richie, as a character, is supposed to be “comic relief”. And he was good at it. The other characters had a seriousness to them that didn’t try to overpower Richie’s humor with humor of their own, so his one-liners actually worked very well: especially for a kid his age. Eddie’s “unintentional” humor was also very good. The parents of the children were fantastic. You could really see why Eddie was as nervous as he was. Bev’s dad was very creepy, and the moment she cut off her hair after her father touched it was very powerful. I found Bill’s father to be forgettable. I didn’t really like his character. Mike’s grandfather was a good character: very no-nonsense, straightforward. Actually giving wisdom, and killing the animal in front of Mike because they needed to sell the meat. The bullies were great. Especially Henry Bowers. His performance was very good. Very believable. Much like with Bev and Eddie, you could really feel how Henry was raised. Not much time needed to be spent with Henry’s backstory at all, but you just knew how his home life was (I think that’s mainly due to King’s storytelling ability, but the movie portrayed that well). That one moment where Henry’s father, a cop, shoots three shots from his pistol into the ground right in front of his son to scare him told you all that you needed to know. Fantastic scene.

The scenes where the kids are around the clown are weird. I realize the actors are children, but they weren’t scared enough of the clown for my taste. Even when you’re fighting the clown, you need to be able to show some fear. How could you not? Fighting a clown in a sewer? Felt like just basic fight choreography.

The blood looked fake as hell when they were cleaning it from Bev’s bathroom.

The decision for them to be kids in the 80s was a good one. Keep it more relevant for the audience. A nice update. I personally wish they would’ve been a little more obvious with it. You could tell when the music played that it was supposed to take place in the 80s, but there wasn’t much else that I noticed that made it feel like the 80s. Granted, the mood shouldn’t be something like “Saved By the Bell” (it’s “It”, afterall), but just a little more would have satisfied me. Maybe one perm, or something. There was an ’80s car, and Henry had a mullet. But I wanted just a little more. Maybe some pink and teal somewhere.

The nicer horror scenes (the ones that weren’t shitty CGI) were funny, as good horror scenes should be.

The movie definitely felt like they were just trying to hurry up and release it “27 years” after the original. Like they didn’t even start planning the damn thing until 2 years ago: “Holy shit. We have to make a new ‘It’ movie for 2017! Fuck! What do we do?!” I found it very bland. Not the way a movie like “It” should be. A below-average-to-average horror film. Not worthy of being associated with Stephen King.

The most entertaining thing about the whole experience was my best friend’s navigational skills on the way to the movie theatre. His sense of direction doesn’t involve looking at road signs. VERY funny.

(Disclaimer: currently a little over halfway through with the book. Slow reader, so I can’t compare the movies to the book. I was heartbroken when I saw the tower of kids in the sewer, as I haven’t reached that part in the book yet.

Also, every time I start watching the original “It”, I get tired of it because the thing is so damned long. Pennywise is entertaining, and I remember seeing the spider CGI when I was a kid (because my dad called me in cause he knows I’m afraid of spiders. Honestly, I think I’d prefer that shit CGI over what was done here). But I’ll try to remember to review the book when I’m done with it in a few years, and I’ll eventually go back and try to watch the original “It” miniseries and write a review of it (haha) as well).

Review of the book.

Pink Floyd – Another Brick in the Wall Parody

I don’t need no education
I don’t need no self-control
The dark sarcasm in the writing
Teacher: “Read your books at home”
“Hey!” Teacher: “What’d you read at home?”
All in all you’re just another shitty author
All in all you’re just another shitty author

If you don’t write your words, how can you be a writer? How an you be a writer if you don’t write your words?

Parodies.

How to find a good title for everything that amounts to a “life’s work”?

I think I’ve finally figured out a good way to describe what exactly it is that I’m looking for out of life. It comes down to one word: “profundity”. I want to be moved. I want nature and life to make me cry. I want to be able to cry in front of someone while looking at something beautiful, and be able to say to them “That’s beautiful.”

I’ve always had this sense, for many years, that something was missing in my life. I couldn’t figure out what it was. I think part of the problem is being surrounded by the perspective of the “average” person: dull, and dumb. Not much to look forward to but the next race or ball game (I’m not talking about family, but just being around people in public, overhearing conversations constantly, coworkers, etc.). That’s not what life is about to me. I think that’s why I’ve been going on these solo drives lately. One, just for new environments. But, arguably even more so, because of self-reflection.

I feel like I’ve been beaten down over the years with constant derision of being an “overthinker“. No one could possibly understand the enjoyment that I get from contemplation. I haven’t known how to speak out against it. Now that I’m older, with more responsibility and freedom, I find myself asking: What do I want my perspective to be? What do I want to think about? Where do I want my mind to be? That’s a very deep question. Going through the motions gets you through the day. But is that all my life is? “Getting through the day”? What’s the point in that? You’re telling me that God created our entire universe, the Earth, and US, for Christ’s sake, just for us to “get through the day”? What kind of ultimate purpose is THAT? A fucking pathetic one.

No, there’s something missing in my life, for sure. So much talk revolves around bills and jobs. Not only politically, but just “small talk”. To be fair, I guess when it occupies as much time and energy as it does, that is inevitable. But am I to take certain inevitabilities as the purpose of my life? If I were to get cancer tomorrow, would I treat that cancer as the purpose of my life? Would I talk about it constantly, and think of nothing else but it? Or would I look for profundity in other things? I think the answer is the latter.

I’m tired of listening to well-meaninged people warning about a “life wasted”. I want to be able to say why I disagree with them. In order to do that, I need to use words. I need to “overthink” about words. I’m tired of playing dumb just to keep some sense of “social peace”. Your inferiority complex shouldn’t be my problem. There’s too much profundity to be concerned with some jackass that feels insecure because your vocabulary is deeper than his.

And that should go for myself as well. I shouldn’t dismiss someone just because they speak better than me. Just learn how to speak better, you fucking retard. Learn new words. Become a better listener. It’s not one of the Ten Commandments: just an improvable life skill.

The ultimate problem is that I’m not allowing myself to get lost in my own head enough. I listen to others a lot so that I can learn things for myself. But speaking up for myself is difficult many times. I don’t really allow myself, often enough, to reflect, and contemplate. This makes those times when I do feel like doing those things all the more special. There’s other factors mentally blocking me from fully dedicating myself to creating things. I’ll have to continue to write about those later, even though I’m sure I’ve already touched on them somewhere.

My head is too full of the words of others instead of what feels like my own independent thoughts. Social anxiety is one reason why I can’t tune others out. The other is that responsibility scares me. The unknown future is scary for all of us often. So we focus on our immediate day, where more things are under our control. But I’ve encountered so many people that say “Where in the hell did my life go?” that it scares me, so I try to think more about the future. And I believe that my future would be better if I allowed myself to get more lost inside of my own head, instead of replaying the words of others in my head constantly and doubting my every desire and decision. That ain’t working anymore. I can’t write like that. Writing requires independent thoughts. I love writing. I need independent thoughts. I need MY words. I don’t want my words to just be “Here’s what someone else told me one time.” What’s MY analysis?

But it’s hard to allow myself to get lost in my head. As I’ve said, it’s just scary to be alone inside of your own head. All of your mistakes come at once. All of your uncertainties. Your worst fears. They come storming at you. It’s easier to close the door of your independent mind and let someone else distract you from yourself. Perhaps some music would help?

Going out on a limb like this, of course, poses its own problems. What if I’m wrong? That’s humiliating. Will I just be able to say “I messed up?” Once again, I think that’s, mainly, just a skill that needs to be learned. It’s one thing to realize the power of humility when you feel like you aren’t making a mistake. It’s another when you realize you have.

Another problem is experience. EVERYTHING is “experience”. But the question should be: what kind of experience? I need more experience with linguisticators. I want to figure out why they burn me out so much. I understand that reading, and listening to good speakers, would help me with my own desire to communicate. But I’m always hesitant to do so. Why? Well, for one, language is separate from the subject. I like focusing on a couple of subjects at a time. But then, I get burned out. So in order to keep reading, and not feeling burnt out on the subject, I’d have to read about another subject. But which one? That’s the problem. Reading something and realizing that I don’t enjoy it. Or just getting tired of it, like eating the same food everyday, except with a book. I need to approach reading differently. Instead of focusing on the subject, I need to focus on the language used. That’s not going to be easy. I’m still going to read subjects that I enjoy, of course. But I also need to be able to analyze the use of language separately from the content of the work. Ok, this work is boring me. But is it written well? If so, why? And then, try to learn how to use language better for myself. Once again, this is just a skill that needs to be learned.

Ultimately, the solution will probably come down to reading writers better than I (shouldn’t be too hard to find). I need to have a certain mindset to be open enough to understand what it is exactly that makes their writing better than mine, and how to use that for myself. I guess the question becomes: how much do I want to do that, exactly? I don’t know how much of it will satisfy me yet. I don’t even know how to approach it, really. I anticipate that if I took the advice of someone else that I’d burn out quickly and then get tired of learning how to get better altogether. I think this is a slow, natural, lifetime process that I can’t fully explain yet. It could be the case that I’m lying to myself, and all of this is for naught. But I think it is the only thing that satisfies my heart, and that matters to me (of course). The challenge is being able to explain WHY I believe that it matters.

Another reason that I find language so difficult is that I’ve always associated good speakers with charlatans. It’s easy to tell if an idiot is “good” or “evil“. It’s much harder when someone speaks well. I was so afraid of being evil (thanks, free will baptism) that I just avoided language like the plague. I realize now how stupid that was. But now begins the task of fixing it. And that’s going to be hard, considering how far behind I am because of my old way of thinking. You may say “You write well now,” but you have no idea how good it can become. I do.

For better or worse, ethics consume most of my thoughts. I think this is an evident combination of genes and environment. Certainly, my religious upbringing and journey has a lot to do with why thoughts of ethics almost consume me. But I know there’s definitely a major genetic component as well. Hypocrisy, especially if I do something “evil”, scares me. I just don’t want to do it. I, like everyone else, am torn between doing good and evil. I have, and will, do both throughout my life. And that bothers the fuck out of me. I guess one might say “The fact that it bothers you proves that you’re a good person.” But I will take no solace in that. The thought of being a hypocrite bothers me. Especially the thought of being a hypocrite on a very famous scale (and I desire “fame” only as a measure of success that I wish to have, so that I don’t get stuck in a life that I resent everyday. Maybe one day I’ll just be “content” like everyone else, but I have goals, and I want them. And that’s all I care about. I know that it takes that type of attitude to succeed, so now, all I need is that success, so that I can hand you the check and say “I told you so.” And if it doesn’t work, who cares? I’ll join you at the factory line and you can tell me about all of the time I’ve wasted, whereas I can say “At least I tried” and make fun of you for NOT trying). I find enjoyment in being critical, and that obviously puts a lot of pressure on me. “Just stop being so critical,” you might say. Criticism, especially humorous criticism, is too much fucking fun. I think it’s worth the anxiety of making a mistake. And, once again, I think that’s another reason why humility is a skill that I desperately need to develop.

And that never-ending war of trying to figure out how to “handle” other people. In a way where the advice of others doesn’t deafen my own independent thoughts. Trying to figure out truth is a lifelong battle: as is dealing with the evil of others. It will continue on forever, as you continue to get older, and, eventually, die. We do good, we do evil, then we think about and talk about the evil of others. Then, we listen to others talk about the evil of still yet others. I’m so fucking exhausted with it all. I want to take part in it, but I’m also fucking sick of it. “Hypocrisy”, I guess you’d say. And here comes the advice. And here’s where Cody has to say “Ignore it, because you want to.” And here’s where Cody hears others complaining that he said he’s going to ignore them. And here’s where Cody needs to tell himself “Just continue ignoring them.” And here’s where Cody hears them saying that “Yes, you need to ignore them.” And here’s where Cody realizes they are “them” so he shouldn’t listen to them. And on, and on, and fucking on. “Just stop”- I can’t- “You think too much”-no I don’t shut up haven’t you read fucking anything I’ve written up to this point? Maybe you realize the problem now.

I can’t wait to just become an old grouch. That’s what my heart ultimately longs for. It flies in the face of all “advice” you’ll hear. But who gives a shit. I’m a grumpy old grouch at heart, goddammit, and that’s what I want to be. So it’s going to fucking stay that way. Get out.

You can’t appreciate profundity when a bunch of stupid blabbermouths don’t see it and won’t shut the fuck up about what they do see.

…Stuff like this makes me wish that either I was older or that I end up dying younger. I can’t take 80 years of thinking like this, and I refuse to think like everyone else. I’m hopeful that this will change as time goes by. But, of course, I want it NOW. I already feel about 90. If I ever do make it to 90, I can’t imagine how I’d feel. That’s scary. Maybe I don’t want to make it to 90. But things do change…

Communication, like everything else, is hard. Regardless of what “natural” abilities you may have, everything gets hard at some point. There’s a reason why talented, say, basketball players practice. Michael Jordan has always been, and will always be, a better basketball player than me. And most. So why did he practice? Well……….what ELSE was he going to do? THAT was a question that he had to ask himself. And he ANSWERED it himself. That’s what I need to do. It doesn’t matter that I’ll (probably) never become the “Michael Jordan” of writing. That is so far removed from the point that that thought shouldn’t have even entered your head. The point is what do I want my writing and thoughts to be, and what do I want to do with them?

And that produces a fine line. Writing involves organization, knowing when to lengthen a piece, and knowing when to cut one off. My default position has just been to cut everything off short (because it’s easier). But something has been missing. I knew this day would come eventually, so I have never stressed about today not being around yesterday. But the day has come where I’m no longer satisfied with cutting things off prematurely. I’ve said stuff like this a million times, but it continues to be true. The process of writing is constant. I’ll probably say, throughout my entire life, that “I need to learn how to edit.” It doesn’t matter how much better I get from one year to the next, I anticipate that I’ll still say “I need to learn how to edit.” Why? Well, this is where the “Michael Jordan” analogy comes into play. What in the fuck ELSE am I going to do with my writing? If I don’t do that, but I want to write, the writing is just going to be “WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD WORD”. What’s the point in reading that? There IS none. Michael Jordan won a championship and an MVP one year. Why did he play the next year? It’s all about an attitude, and what one wants to do. I don’t care if I never win a writing MVP, or whatever. I don’t care if I’m not ranked among the 100,000 best writers ever. The point is that I want to write, and what attitude am I going to have while I do so? I pity those that don’t understand what I’m talking about. They’re kind of idiots.

I hope I don’t burn out too quickly. This has been a lifetime coming, but, ultimately, I think everything is. Everything has been leading up to everything. That’s unavoidable. But being able to explain that in certain ways is a skill that I wish to develop. One of the skills that I wish to develop.

I also need to work on the fact that even if someone’s advice doesn’t help me, at least they want to. I can ignore it, but at least I can say “Well, they’re trying to help, even if they aren’t.” At least give them that credit. And then, get back to my alone time as quickly as possible. I’m sure they’ll understand. At least, if I’ve explained myself well enough, they will. I think my main frustration with advice is that I haven’t been able to effectively speak for myself. That’s a pattern that I continue to notice. I’ve never been happy with my ability to speak for myself, and it’s something I’ve worked on for many, many years. And I have a long fucking way to go. It’s all a complicated weave that I have in my head that I want to be able to elaborate. And it’s exasperating. And it just keeps building more and more and more. It’s hard to handle, but this is the best time in my life to handle it financially. I can’t afford to waste this opportunity. I want all of my ideas to come fast, and just get them all done as rapidly as possible. But they need to mature to maintain a quality that I’m happy with. It’s not about writing a bestseller, it’s just about writing good stuff, goddammit. My heart has always hurt when inspiration has hit me and I couldn’t write because I was at work, or had to go to school the next day. Staying up for hours later than I should just because “It hit me.” Feeling frustrated because I had other responsibilities that kept me from writing. So much of that has changed. This is the time that I’ve been desperate for my whole life. SO WHY IN THE FUCK WOULD I EVER STRUGGLE TO WRITE?????????? Write NOW, dammit!!! In truth, there’s still stuff to figure out, as there always has been. But this is, more than likely, the best time I will EVER HAVE to create. EVER. I’ll have more free time now than I’ve ever had. That pressure is terrifying. But if I get in too much of a hurry, the work sucks. And I need to absorb more before I can regurgitate more. I haven’t been happy with much of my writing for a long time now, and it’s mainly because I just didn’t have enough within me to get it done the way I wanted to get done. There’s too much for me to elaborate on here, but I want to do it eventually. All of my work is a tangled weave of my life. It all connects, in the grand scheme of things. I’m a “mad scientist”. It’s a delicate balance. I guess I’ll just have to hope that I don’t see it all as a mistake down the road, and figure out exactly what I’m going to do today, and how.

Technical ability to improve quality (of things like video) is a skill I need to learn without burning myself out trying to do so. Software, camera work, lighting. No, I don’t need to go to school for it. I’ll experiment with it myself eventually. But I need a better outlook of completing good work. A – you guessed it – philosophical approach to quality and effort. I know that probably sounds weird to you. But I want to be able to explain what I mean eventually. I want to be able to explain everything. How I write, etc.

I need to hurry up and get better so I can churn out more stuff, and keep improving it. The gaps in time between my writings are far too fucking long for my taste. But I can’t just type “BLAH BLAH BLAH” and say I’ve written something. It just takes a lot of time. Everything does. And then, I’ll get old and say “Holy fuck. Where did the time go?”

I still have a lot of things that I want to say about the past. About writing. I want to be able to explain what is going on inside of my head. If that doesn’t interest you, that’s fine. If it enrages you, I find that humorous. If it inspires you, that’s terrifying. But the ultimate point is that I want to be lost inside of my own head to find some peace in this world. That’s mainly what I care about at the moment. That, and just learning how to do everything better, such as my attitude and “dealing with” other people. And editing, and organizing, etc.

So that’s what I’m working on, I guess. Lmfao (When to work? When to break? When to write? When to listen to music? Who to listen to? Who to ignore? WHEN WHEN WHEN? It never ends).

The hardest part about all of this is having known, for a long time, that all of this was going to happen (or at least significant parts of it), but having it not happen. Realizing “Yep, this is definitely a waiting game.” As my favorite childhood musician once said, “The waiting is the hardest part.”

Bulleted lists of what I like about writing and what I hate about writing.

Why Express?

Highly Sensitive Mind.

My poetry.